Six of one...

I've been wanting to figure out a way to incorporate my vast quantities of hand-dyed fabrics, from my fiber-artist, art-quilt days, into my new work in oils.  First, I tried painting a couple of small pieces on nice, decorative paper, glued to a board and covered in acrylic medium.  That was pretty successful; I've got a picture in the files somewhere of Indigo Pete on an orange printed paper background. Looked pretty neat.  And the technique seemed sound.

 

Ken shot the photos of Hunter last summer, I think, out in the garden.  The background was all washed out, looked almost white in the photo, but the images of Hunter were good.  I've been hanging on to them, waiting for the right opportunity to figure out what  I wanted to do with them. Thought they'd made a good "pair".  And I had two 10 x 8 gallery wrapped canvases I bought on sale.

 

So, I rummaged around in my fabric boxes until I found just the right piece of silk to serve as background.  Spent most of a Sunday afternoon "gluing" it down to the canvasses with acrylic medium. Silk stretches when its wet, so had to keep working it over the canvas to keep it tight, and miter the edges around and onto the back of the gallery wrap.  When I was satisfied, I let them dry then coated them with 3-4 more coats of medium.  That gives them sort of a waxy appearance, and a good ground for the oils.  Pretty flat and slick without much texture except the brush strokes from the medium.

 

I drew the images first, scaling both the photo and my drawing to sight-size, in fourths, with diagonal lines for the eyes and head tilt.  Then I transferred the outlines of the drawing to the silk ground and painted them, using the "posterized" photos as my guide. Each one took a whole day.

I got the image on the left a little bigger than the image on the right, but I think they turned out pretty cool.  What do you think?  Something I should pursue?  I sure have lots of hand-dyed fabric stashed away!